Plitka

Ancestors Leave the Shadows: Why the Paradzhanov’s Film is This Year’s Most Crucial Cinema Premiere

11 562

Memory Re-flash: the War Paintings of Zoya Cherkassky-Nnadi

11 329

Look Up: Bombs and Alerts in Etching Room 1 Prints

1 764

“The Post-War Temporary Housing Wasn’t Much Different from Concentration Camps”: A Historian on Rotterdam’s Reconstruction after World War 2

34 268

“Born in the USSR”: How Russians Сelebrated May 9 in Berlin

2 656

“It’s Like Watching a Live Stream from Hell” — Daughter of the Azovstal Defender Talks about Her Father

37 621

“My Work is Akin to Propaganda”: Oleksii Sai’s War Posters

12 637

Spring in Kyiv Region Coming Back to Life: Roman Pashkovsky’s Report

11 685

Myths of the War in Kateryna Lysovenko’s Paintings

2 203

Glory to Jesus and AFU: Pixel Art by Viter Stepoviy

7 602

Idea-driven: How Ukrainian Creative Professionals Help During the War

3 013

Two Months of Kherson’s Occupation: a Local Recounts Her Experience in the City

90 880